Hi, I'm Abby!
Welcome to August Point, I'm so excited that you're here! In case this is our first time meeting, here's a little about me.
Artist Q & A
Could you share a little about your creative background?
Growing up, I was a very creative kid. Building, crafting, and decorating my room kept me busy! It wasn’t until high school where I honed in on my love of painting. Then, College of Charleston’s Arts Management program was the perfect segue for me to continue my studio practice, while learning the business side of the arts. But, my most formative moment as an artist came from my season of studying abroad in Florence, Italy. My painting professor, Lorenzo, encouraged me to find my voice as an artist. For the first time, I had a coach, who knew me well enough to make sure you could see my personality and style come out in my artwork. To this day, I reflect a lot on the words he said to me.
How did growing up in New England influence who you are today?
Growing up in Annapolis meant a lot of time on the water. There was nothing more happy to me than a boat ride down the river with my family. But, of course, you don’t realize how special something is until you might not have it? Well, as I was applying to colleges, College of Charleston was the only school near the coast. While visiting, I remember my dad and I mapping the distance from my potential dorm room to the Charleston harbor… 1 mile. Suddenly, it became apparent that all those days on the boat, the walks by the river, the swimming, the sailing, had a huge part in what made me feel at peace. It felt like home. It’s how I knew Charleston could be home too. I always come back to that love of being on the water in my artwork. For me, any day is made better on the water. My husband and I even included it in our marriage vows, a promise to live near the coast always.
When you're not working, what does your day-to-day look like?
I am a bit of an energizer bunny, and love a packed day of activity. We live near a huge park in Charleston, so I love taking my dog, Posie, for walks, playing tennis or pickleball, and of course, the boat. If I had my way, I’d be on the boat everyday, rain or shine. Also, art and home feel very connected to me, so I love a house project, always painting rooms new colors or dreaming up things I could build. Finally, I love being with my friends and family – we host a lot of gatherings at our home, and while not the best cook… I try! Most recently I made beer bread that overflowed in the oven, and smoked up the entire house while all our friends were there. We all ended up on the porch dying laughing while trying to breathe.
What piece of advice would you share with aspiring artists?
Paint your insides. Whatever your heart leaps at, whatever you are drawn to color wise, the place you feel at home, the people you love, paint it all. It’s the honest you! Most likely, your insides will resonate with someone else, and suddenly you’ll have captured a moment that is important to you and others. It’s the most magical part of painting, to make something that feels like home to someone else.
Would you say it's been a smooth road, and if not, what are some of the biggest challenges you've faced along the way?
Being an artist can definitely be hard. You are taking your inner feelings and thoughts, and through talent and teaching, you use your skills to convey those thoughts… then you share it with the world and people say whether they like it or not. This is daunting sometimes! Plus, people can be rude and mean, as in every job. I think having my sketchbook helps me feel free to flush out ideas so I feel confident in what I am selling. But, as cheesy as it sounds, there are a lot of days where I truly feel my insides saying “I love to paint!!!” The act of mixing colors and putting them together in a specific way is therapeutic to me. I also love that what I am painting can resonate so much with someone else to the point that they would want to keep it and hang it in their home for years. How special is that! So, I would say the road has had bumps along the way, but I’ve always felt like I had a good direction.
Is there anyone you'd like to thank or give credit?
My parents were always encouraging me to try new things and figure out who I was, so I think that helped me have the confidence to jump in. My professor Lorenzo was one of the first artist that saw who I was, and what I made, and said my work was important. My studio-mates, Lulie Wallace, Teil Duncan, and Raven Roxanne, all have encouraged me and pushed me through the years. It can be hard to be an extrovert working in a studio alone all day, so having them by my side has made me want to be in the studio. They make it fun! Also, my husband has always been such a cheerleader- he’s really learned to talk about art in a way that makes me feel loved and seen.
Who are your top 3 inspirations in your creative process?
I’m very into UK interior designers right now, so creatively I would say Matilda Goad, Luke Edward Hall and Beata Humane are my favorites right now.
Business-wise, I love listening to the ‘How I Built This’ podcast, it always triggers new ideas for me and practical advice that can translate really well.
Finally, Molly Baz is a big inspiration to me. Her brand is very approachable and easy going, yet well done. Big fan!
How did your career in tech prepare you for your career as an artist?
I spent a lot of time learning the business side of things. I took a class called gallery fundamentals, and then interned at a gallery to see the day to day. I was then able to recreate this 'service' as I was selling my own artwork. I also think it was very important for me to find my own style, and be true to who I am, rather than trying to impress my professors or be as crazy as my classmates.
How did you attain such impressive collaborations?
Some, I boldly reached out, some they reached out to me. But I think the one thing that is interesting is my collab with Anthro and Studio McGee were both collections that didn't sell the best on my site. I think it was good for me to realize that taking risks is healthy even if pieces don't sell... they can lead to bigger things!
What are the biggest things you've learned as you've built a business around your art?
Some, I boldly reached out, some they reached out to me. But I think the one thing that is interesting is my collab with Anthro and Studio McGee were both collections that didn't sell the best on my site. I think it was good for me to realize that taking risks is healthy even if pieces don't sell... they can lead to bigger things!
What has been your biggest career setback to date, and how did you recover?
I hit a point in my career where I was painting only to sell and I wasn't making pieces I felt proud of. I looked back on the last six months and didn't want any of the pieces for my own home, plus the sales had slowed down. So... I made a list of all the things I did on the day to day with my work, and then split that list between things someone else could do for me and something I had to do myself. The only thing on the list of things I had to do myself was paint. This made me realize that being creative and painting to the best of my ability was the most important part of my job. I hired someone part time to do all the little things, so that I could focus on painting.